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The Myth of Groundhog Day

By Bruce Barbour - Version 2.4 - February 2025. (Original - December 2024.)

Introduction

Firstly a brief summary of the plot of the movie "Groundhog Day" in case you have not seen the movie or as a refresher if it has been a while since you last saw it.
Spoiler Alert
- don't read this if you intend to watch the movie for the first time in the near future - but do come back afterwards:

"On February 1, cynical television weatherman Phil Connors travels to Punxsutawney for his annual coverage of the Groundhog Day festivities. He makes no secret of his contempt for the assignment.

On February 2, Phil awakens in the town to Sonny & Cher's "I Got You Babe" playing on the clock radio. He gives a half-hearted report on the groundhog Punxsutawney Phil and the festivities.

The next morning, Phil wakes once more to "I Got You Babe" on the radio. Phil experiences the previous day's events repeating exactly - except for changes he introduced. He once again retires to bed. When he awakes, it is again February 2. Phil gradually realizes that he is trapped in a time loop of which no one else is aware.

Early on he realizes that there are no consequences for his actions and begins spending the loops indulging in binge eating, one-night stands, robbery, and various dangerous activities, using his increasing knowledge of the day's events and the town residents to manipulate circumstances to his advantage. This includes trying to seduce his work colleague Rita. No matter what steps he takes, Rita rebuffs his advances.

Phil gradually becomes depressed and desperate for a way to escape the loop. He commits suicide in a variety of ways. Each time, he reawakens on the morning of February 2 to "I Got You Babe". Phil then decides to use his knowledge of the loop to change himself and others: he learns to play the piano, sculpt ice, and to learn French. He also saves people from deadly accidents and misfortunes. Many times in the loops he is experiencing he tries to prevent a homeless man from dying of natural causes but is unable to do so.

On the last iteration of the loop, Phil reports on the Groundhog Day festivities with such eloquence that other news crews stop working to listen to his speech, amazing Rita. Phil continues the day helping the people of Punxsutawney. That night, Rita witnesses Phil's expert piano-playing as the adoring townsfolk regale her with stories of his good deeds earlier that day. Impressed by  his apparent overnight transformation, Rita successfully bids for him at a charity bachelor auction. Phil carves an ice sculpture in Rita's image and tells her that no matter what happens, even if he is trapped in the loop forever, he is finally happy because he loves her. They share a kiss and retire to Phil's room.

Phil wakes the next morning to "I Got You Babe", but finds Rita is still in bed with him and the radio banter has changed; it is now February 3."
Shortened - from Wikipedia

Phil Connors finds himself trapped in a time loop reliving the 2nd of February. Only he can remember what happened during the previous repeats of the day. The rest of the town and his work colleagues are unaware of the time loop and, unless Phil intervenes in their life, will do the same things they did on the first day of Phil's time loop.

I see many parallels to Camus' interpretation of the Myth of Sisyphus. However Groundhog Day suggests a different way of responding to the predicament of life compared to that of Camus' Sisyphus.

Briefly in the myth because Sisyphus had defied the Gods on a number of occasions he is punished by being condemned for all eternity to roll a boulder up a mountain only to have the boulder roll back down the mountain. Sisyphus then has to return down the mountain to the boulder and roll it to the top again - for it to roll down. Sisyphus is condemned to do this for eternity. In the myth the Gods thought that this fate was one of the worse punishments possible for a human - meaningless repetitive work that accomplishes nothing for all  eternity.

Camus saw the predicament of Sisyphus as analogous to the predicament of workers:
"Rising, street-car, four hours in the office or the factory, meal, street-car, four hours of work, meal, sleep, and Monday Tuesday Wednesday Thursday Friday and Saturday according to the same rhythm . . ."

"The workman of today works everyday in his life at the same tasks, and his fate is no less absurd (than Sisyphus).  But it is tragic only at the rare moments when it becomes conscious."
- Both Quotes from Camus' "The Myth of Sisyphus" essay

Camus had two fundamental observations about life on which he based his philosophy. Firstly he proposed that humans have an inherent need for meaning in their life. Secondly he observed that the Universe does not reveal to humans whether the universe or humans themselves have any purpose or meaning. From this inherent need for meaning and the fact that the Universe does not reveal any meaning Camus came to the opinion that life was "Absurd". The second conclusion was that life was either meaningless or at least should be lived in a manner as though life was meaningless(1).

Because Camus believed that everything was meaningless even if a person believes they are "achieving something" while at work to Camus what is being achieved is also meaningless, of no more consequence than rolling a boulder up a mountain to have it roll back down. The work and any "achievement", like the rest of life, is meaningless.

Camus famously started his essay on the "Myth of Sisyphus" with the words:

"There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy.

All the rest - whether or not the world has three dimensions, whether the mind has nine or twelve categories - comes afterwards."

Camus uses the "Myth of Sisyphus" as a vehicle to investigate this "philosophical problem" - whether it was possible for Sisyphus, as the archetypal "Absurd Man", to still have a life that is worth living. Could Sisyphus, and by extension all humanity, be happy in Sisyphus' predicament or indeed in our life of repetition, even if it is less extreme than that of Sisyphus.

Camus ultimately rejects suicide as a valid solution to the predicament that his hero Sisyphus, and by extension all humans, find themselves in. Instead he proposes that people embrace life with defiance and acceptance by living with:
  • Revolt: - resisting the temptation to seek ultimate meaning or escape through illusions such as religion - an approach that he called psychological suicide. Instead, he encourages confronting the absurdity of the predicament head-on and still live on.
  • Freedom: - which is created by the lack of objective meaning. Humans gain the freedom to create their own life (even though it is ultimately meaningless) and to live authentically and intentionally.
  • Passion: - to live with intensity and relish the experiences life offers, even knowing that these moments are transient and devoid of universal significance.
On watching Groundhog Day I was struck by the similarity of Phil Connors' predicament with that of Sisyphus. In the movie we are never told who or what was responsible for Phil's predicament. Was it the God(s) or was it just a quirk of the mindless workings of the Universe? Regardless of that Phil Connors was in a better situation than Sisyphus, though he did not realise that initially. Phil was not restrained by the Gods to do the same thing everyday nor was he condemned for eternity to live the same day over and over again - though, until near the end of the movie, he did not know that(2) and as his final character he had accepted his fate and was living as though the time loop was eternal. Just as Sisyphus' fate was eternal.

I find that Phil Connors' predicament is a better metaphor for the lives of every day people than that of Sisyphus. Our lives each day are very similar to the many previous days we have lived - in that way matching Sisyphus. However there is possibility of change and progress - a possibility not given to Sisyphus. Looking back over our lives there have been changes: - childhood, education, the teenage years, young adulthood and all the challenges and changes brought on by those changes. And then retirement and finally death. Our experiences, emotions and mental abilities also all change. This is mega-change even though on most day to day bases it does not seem that there is much change. We have the possibility of growth. Sisyphus does not - how much more can Sisyphus learn over what he learnt in the first year - or decade - of pushing that boulder up the mountain. Even the ultimate change of escape through death is denied Sisyphus -  presumably in the realm of the Gods he is still pushing that boulder up the mountain.

Even if we accept that Phil Connors' predicament is a better metaphor for life it does not imply that his life has any objective meaning. Perhaps all the changes and developments in Phil Connors' life, and by extension our lives, are still objectively meaningless, as meaningless as rolling a rock up a hill to have it roll back down. But it does suggest that a different approach to life, meaningless or otherwise, compared to that of Sisyphus is possible. 

What are the differences between the approaches of Camus' Sisyphus and Groundhog's Phil Connors? Firstly Sisyphus:

Camus' Sisyphus ultimately embraces his predicament with defiance or, to put it another way, with revolt. Camus imagines that he accepts the absurdity of the endless meaninglessness of his task without hope of change or of escape. His happiness lies in living in the moment and in embracing the process itself. Sisyphus has no freedom to change his circumstances, so his response is one of internal rebellion and conscious acceptance.

Secondly Phil Connors: - Phil is stuck in a predicament against his will, like Sisyphus. However unlike Sisyphus, Phil has much more freedom to explore different mental and physical responses to his predicament. Initially Phil indulges in fleeting pleasures, even if those pleasures are at the expense of others. He lives a life where his actions have no consequence for him - he can hurt, humiliate and use other people for his own pleasure or whim knowing that in the morning the slate will have been wiped clean. He did perhaps in some manner live as Camus suggested in that he did revolt and live with more freedom than he had done before the time loop. He rejected many of the social norms in the way he treated other people, being violent and rude (ruder than usual) to some people if he felt like it. He tried seduction through various underhanded means. He either did not turn up to his reporting task or had a flippant half-hearted approach to it. He was freer to do this than normal people, even freer than an Absurdist, because his actions had no consequences.

However eventually Phil realises that this approach is ultimately unsatisfying. It is meaningless and his life was meaningless. In his embrace of the existential scourge of nihilism he answers Camus' famous challenge "there is but one truly serious philosophical problem and that is suicide" by opting for suicide. However this is denied Phil as even after "suicide" he wakes in the morning to Sonny and Cher's "I've Got You Babe" and his predicament continues. (This option was also off the table for Sisyphus as he was already dead.)

What happens next is where Phil's approach vastly differs from that of Sisyphus. Phil undergoes a profound transformation. He shifts from nihilism to altruism, finding fulfillment using his time to help others and to improve himself (learning piano, ice sculpting, etc.). He escapes nihilism by creating meaning in his life through self improvement. This meaning cannot be shown to be objective. The meaning created may be subjective, that is, only meaningful to Phil himself(3). But in creating this meaning he finds happiness, a happiness that was denied him when he was living a life of no consequences, when he embraced nihilism. He found a happiness that had been denied him even as the cynical weatherman prior to arriving in Punxsutawney. He had found happiness despite being trapped in what he must have considered to be an eternal time loop.

Conclusion

Groundhog Day asks the question: given our predicament what should we do with our life, how should we live our lives? This is the same question tackled by Camus in the "Myth of Sisyphus" and with his ideas on the "Absurd Man".

Ultimately Sisyphus is not a good metaphor for human existence. There are no Gods forcing you to do the same thing over and over again. You have a freedom not granted to Sisyphus. It would be really silly not to use that freedom - to keep pushing boulders uphill when you don't need to, at least not for all of your life. You are free to explore all the alternatives available to you.

Camus' (non-Sisyphusian) "Absurd Man" is a suggestion for human existence however the Absurd man is in a continual state of revolt, continually aware of and fighting off the demons of nihilism. It is a revolt where the revolution can't be won. A revolt without hope of ever ending - except with death. It does not sound like a recipe for happiness. Even freedom is not without issues. With freedom you have the tyranny of choice - how do you decide what to choose from a multitude that is available. And the choice for an Absurd Man is going to be wider than for others. Ultimately the person becomes responsible for all their choices - and for the Absurd Man there are no guidelines or guardrails. The suggestion that a person should live with passion is, I suggest, the best of the triumvirate. To be passionate about anything must mean a person enjoys doing it. Hence it must be happiness inducing. However you do not need to be an Absurdist or an Existentialist in order to live with passion.

Compare that option to the potential life of final Phil, a life of connection with other people, a life of service to others, a life of self improvement. A life that has subjective meaning. And final Phil can live with passion, and in fact does. And if he chooses there is nothing to stop him being aware of his ultimate freedom even if he chooses to use that freedom in a sparing manner. He is not revolting against his predicament but embracing his life including all of its restrictions with passion.

Whose life would you choose? That of final Phil Connors? Or that of Sisyphus or the Absurd Man? I consider the answer obvious.

One must imagine Phil Connors happy(4).

(1) Camus adopted the label for himself and his followers of being Absurdists rather than Existentialists. However Absurdism is not separate from Existentialism. It is a sub-type of Existentialism. Absurdism, like all forms of Existentialism, proposes an approach to nihilism and freedom. As an agnostic I accept that some people - it is probably not all, it could be most, I haven't seen the research to say - want to know meaning. I certainly want to know meaning but I am a sample of one - I wouldn't extrapolate my wants to all. In regard to what the meaning is, this is not known. It is unproven to say that there is definitely no meaning. Consequently I question the foundations of Camus' Absurdism. My version of the human predicament is that it is currently impossible to know whether there is objective meaning even though most people have an inherent want for meaning. I find this very unfortunate. Regardless of what it is called the fact remains that we have to live not knowing. This is the basis of our life.
(2) Many people on the Internet have estimated how long it was likely that Phil actually spent in the time loop repeating the 2nd of February. This is not revealed in the movie. Most estimates are over ten years, many estimates are over three decades - not an insignificant amount of time - three decades is more than 10,000 days or 10,000 repeats of the time loop..It is certainly enough time for Phil to become convinced that it may continue forever.
(3) Is the life of Phil Connors ultimately more objectively meaningful than that of Sisyphus? Many Existentialists, including Camus, would say no - there is no meaning in the Universe other than perhaps some subjective meaning or purpose that we individually may bestow on it. Agnostics should say there is no proof one way or the other, meaningful or meaningless.
(4) Camus ends his essay on the "Myth of Sisyphus" with the sentence - "One must imagine Sisyphus happy." My opinion is that it is unlikely that anybody in the predicament that Sisyphus was in in the myth could be happy.

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